After listening to a discussion by Jungian analysts on anima and animus (on This Jungian Life), I decided to repost something I had posted then deleted some time ago.
According to C.G. Jung, one of the fundamental archetypes of the human psyche are the anima and animus, the personifications one might say of the feminine and masculine aspects of the Self.
Jung was not the first person to conceive of the anima and animus, but he did bring those concepts to our attention as powerful forces within the self that can and must eventually be recognised and given expression. When we ignore, reject or suppress these inner archetypes, not allowing them adequate expression through the ego, they can act up like independent personalities with a will of their own, causing all kinds of psychological difficulties and inner turmoil.
Marie-Louise von Franz, who studied with Jung and became a renowned Jungian psychologist in her own right, had much to say on the animus and its various representations in myth and fairy tale, sometimes as demons, devils and imprisoners or killers of women, sometimes as their saviours. These stories represent in the metaphor of myth how when a woman has not recognised and integrated the masculine power within her, it can literally possess her, rendering her unable to draw on the strengths even her own femininity, or to have genuine mutually supportive relationships with men.
The animus often shows up in my dreams, and I recently had a long series of dream encounters with it. Not surprising, because (I confess) I have been deeply distrustful of masculine energy which I see as highly unpredictable and capable of mindless violence .... and because of those recent dreams, I realise that that distrust and fear includes the masculine energy within me, my animus
Archetypes played out by the animus include the hero and the villain.
In myth and fairytale, the woman possessed by her animus becomes dangerous, killing those who are unfortunate to cross her path, or otherwise rendering them helpless. Or like the seven doomed wives of Bluebeard, she might be imprisoned by the dark aspect of the animus, or needing all her endurance and wit like the catkin maiden to break free of male oppression. Such tales accurately describe the enormous struggle that can be required for women to come to bring the masculine into balance with the feminine, and the awful price they might have to pay for failing to do so.
And sometimes, like the princess rescued by prince Ivanich in Swan Lake, she needs help.
"In such cases, the heroine can often do nothing but wait patiently for a savior to deliver her from her plight. Through her suffering, the animus (for both the demon and the savior are two aspects of the same inner power) can be gradually transformed into a positive inner force.
In real life, too, it takes a long time for a woman to bring the animus into consciousness, and it costs her a great deal of suffering. But if she succeeds in freeing herself from his possession, he changes into an 'inner companion' of the highest value, who confers on her positive masculine qualities such as initiative, courage, objectivity, and intellectual clarity."
(Von Franz, Archetypal Dimensions of the Psyche, 1997).
Some time ago, my animus appeared in a dream in not one but five distinct representations of male power.
A group of thugs has viciously beaten another man, an otherwise good man who has now returned in a rage to challenge his assailants to a ‘fair’ fight. He is already badly injured and can hardly stand, so it is madness, and I try to talk him out of it, but he is in a fury of outrage and does not even hear me (like the hero Hercules, gone mad).
The thugs have sent someone off to get something, so I wander out of the room into a very wide, high, black polished hallway with polished black walls and ceiling and black and white floor, at the end of which is a huge mostly green poster of a Japanese martial arts Master. The poster almost covers the end wall.
Wondering what kind of ego would want such a big poster, I see the Master, a small man standing very still nearby. For just for a moment we exchange glances, and I get a strong sense of great self-control and power. I do not ask for his help though, because I am afraid that he, being quite small, will be killed by the bullies, but before I turn to go, I notice a sweet-faced, golden-haired boy about six or seven years old in a white karate uniform hurrying into a room for a lesson. He also glances at me.
Returning reluctantly to the room, fearing to see the man being beaten to death, I find him in a chair, still mad with fury, and the laughing thugs are deciding who will take him on.
Then a group of tall, light haired, pale skinned men enters, wearing simple long white robes, all alike with golden hair and shining faces. The whole energy of the room changes, and sensing a shift in energy, I plead again with the injured man to leave, but he does not even notice me.
I hope that the men in white will prevent the fight, but they seem to know that both the thugs and the injured man are beyond reason, and seem content to just watch, sort of as witnesses, yet somehow, I feel that everything is different.
I realise that I do not have to stay, and a voice in my head asks, “What has this to do with you?” Nothing, I reply, and wake up.
That dream shook me so deeply that at first I couldn't even make myself write it down, but I was weary of this private terror of masculine violence, and those five representations of male power in one dream told me to pay attention. I won't take you through my detailed process of dream interpretation, just that it led me into the symbolism of the poster - you remember, that poster of the Japanese Martial Arts Master in the hallway.
Looking up the word, Kendo, which appeared on the poster, I learned that it was not the man's name as I had thought, but the name of a school of Japanese martial arts, the Way of the Sword.
The sword can be a symbol of discord and antagonism, but also, as one finds in many hero myths, the sword signifies discernment, the ability to distinguish good from evil, right from wrong; decisiveness; self-control; sternness; cutting away the inessential; precision; focus, and self-discipline; the attributes of the Master Warrior.
That, I think, was what I had to wander into the dream hallway to see - my saviour, a representation of masculine power that is purposeful, fully conscious and self-aware, intelligent, principled, and self-controlled, the total opposite to the mindless, unmoderated masculine aggressiveness that I dread.
Here was an aspect of my animus - and of masculine aggressive power in the world - that I could accept, respect, trust and call upon.
And what aspect of the animus in the dream do the enigmatic robed men represent? They represent a spiritual perspective. They came to remind me that in this world of manifested opposites - good/evil, peacefulness/violence, mindfulness/mindlessness etc. - everything has its season, and sometimes, the best we can do is to overflow with compassion, and with aching hearts, witness what unfolds.